Arturo Carrion

Arturo Carrion

Arturo Carrion Artist artworks for sale

  Rated 4.5 / 5.0 by 61 clients as the best artist
  Artist: Arturo Carrion
 Live in: Santa Cruz de Tenerife, Tenerife, Spain
 Artworks for sale: 39.00
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Arturo Carrion Artist Bio:

ARTURO CARRION -1953 Nace en Maturin - Monagas - Venezuela - Actualmente reside en Santiago de Compostela / España. 1975 Egresa de la Escuela de Artes Plásticas Cristobal Rojas, Caracas. Licenciado en arte con menciones en pintura y escultura. 1975 Expresión Corporal - Ateneo de Caracas / 1975 Luz, Visión y Color Instituto Venezolano de Investigaciones Científicas y Escuela de Artes Visuales Cristobal Rojas / 1976 Historia de la Pintura Venezolana Universidad Central de Venezuela / 1981 Comunicación Audiovisual 1 y II Universidad Simón Bolívar ACTIVIDADES COMPLEMENTARIAS Actualmente esta dedicado a su obra plástica, estuvo 24 años compartiendo su actividad profesional con la docencia como profesor de dibujo y pintura, Escultura, Diseño gráfico, artes gráficas, aerografo, historia del arte contemporáneo, en las siguientes instituciones Venezolanas: Instituto de diseño Neumann / E.A.P. Cristobal Rojas / Atelier de Pintores / Instituto de diseño Villasmil de León / Universidad Simón Bolívar, Centro Graficactual. Diseñador gráfico, realizador de dibujos animados para televisión / diseño audiovisual / TV. educativa - UMAV - U.S.B. / Trabajos experimentales en cine super ocho / fotógrafo / videasta. / Creador del proyecto Habit/arte de Venezuela, actualmente es el presidente de la fundacin Habit/arte. / Asesor de Imagen proyectos Fundarte -1997/ 98, / Web master / Director Galera ARTSIL - A Coruña - lapso 2002 - 2007/ Desde el año 2000 esta residenciado en Santiago de Compostela / Espaa.Of the Shades to the Hidden thing Arturo's Recent executions Carrin puts in evidence interesting inquiries. It is appreciated a change noun and a reorientation of their focuses, being observed new emphasis and suggestive profundisaciones. It can be said that of a schematic registration and of influence constructivista, Notice you in previous works, (2000/2003 - www.arturocarrion.com), now he/she feels a pictorial recreation that originates the conjugation of detached spaces, matricos and texturados, as well as the annexation of certain grafismos and objects textualizados, as focuses index them and objetivados. At first sight, the works challenge for their apparent and deliberate indetermination. The reading iniciatica of the same ones, challenges its boarding. The dispositions and sensualities of the spaces proposed by lines and intense movements, are too powerful as to locate them in a complementary function, but equally the details of relating objetual are very explicit as to impede a penetrating approach. Undeniably, in spite of the proportions of one and another component, it could not be spoken of nouns and objectives in Arturo's plastic language Carrin. The wide spaces are affirmed on the other hand as consequence of the reflection that comes from the objects, texts and grafismos, these they acquire their presence starting from the plurals and expansible surfaces proposed by the artist. This plastic enigma is sketched in spite of the apparent contrasts among the two mentioned components. In consequence, the nature of the spaces doesn't report the logical context for utilitarian common objects, neither it stops structural scaffoldings of lines of architectural resonances or geometric spaces of temperament These images emerge visually in a space that is not their natural enclosure. For it, they float without weight, contiguous, in invisible supports flowing in the empty space, challenging the imagination and stimulating the spectator's uncertainty. A more immediate approach induces us to point out that the enigmatic sense and the character dislocador of these elaborations increase because the chromatic component and the plane texturados dominate the support to summon the tact and to stimulate demanding perceptive requirements. Arturo's technical domain Carrin allows him to frolic with the transparency, the lines, the drippings, planes, lineal structures and shades, all that which originates strange visions. It could be said that a conjugation of spaces is achieved that make that each plane emerja of another to suggest areas and seemingly hidden atmospheres in intense interaction. Carrin assumes a certain focus ldico with the objects and the planes, it summons the spectator to poke its subconscious one, to find valuations that underlie in the periphery of its memory. It is difficult to stop to appreciate a certain murrain quota and irony in this relating. The nostalgia is related with the evocation, the memories and the biographical associations that always have the apparels, the objects of the latent day-to-dayness. On the other hand, the irony is raised by the subtlety with which these pieces sometimes bear an atmosphere delicate, in others with rotundity and so far from their natural environments. In other cases, they are synthesized to predict their presence and to demonstrate their unalterable challenge disposi